
“You have to look at the length of those samples,” Mr. Gillis’s congressman, Representative Mike Doyle, Democrat of Pennsylvania, spoke on his behalf during a hearing on the future of radio. And it has become enough of an issue that Mr. Gillis, because such a move would risk a precedent-setting judgment in his favor, not to mention incur bad publicity.įair use has become important to the thinking of legal scholars, sometimes called the “copyleft,” who argue that copyright law has grown so restrictive that it impedes creativity. (It had sold 20,000 copies before then, according to Nielsen SoundScan.) It may not be in the interests of labels or artists to sue Mr. He said he had never been threatened with a lawsuit, although both iTunes and a CD distributor stopped carrying his last album, “Night Ripper,” because of legal concerns. Although artists like the Belgian duo 2 Many DJs have been making “mash-ups” out of existing songs for years, Girl Talk is taking this genre to a mainstream audience with raucous performances that often end with his shirt off and much of the audience onstage. Girl Talk’s rising profile has put him at the forefront of a group of musicians who are challenging the traditional restrictions of copyright law along with the usual role of samples in pop music.

He doesn’t get the permission of the composers to use these samples, as United States copyright law mostly requires, because he maintains that the brief snippets he works with are covered by copyright law’s “fair use” principle (and perhaps because doing so would be prohibitively expensive). Girl Talk, whose real name is Gregg Gillis, makes danceable musical collages out of short clips from other people’s songs there are more than 300 samples on “Feed the Animals,” the album he released online at in June. Not bad for an artist whose music may be illegal. Girl Talk has won positive reviews for his new album and news media attention for its Radiohead-style pay-what-you-want pricing, and on Friday night he is scheduled to play a high-profile gig at the All Points West festival in Jersey City.
